Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Scope and Contents From the Collection:

Manuscript and published scores, concert programs and playbills, clippings, photographs, correspondence, and diaries.

Scope and Contents From the Collection:

Manuscript and published scores, concert programs and playbills, clippings, photographs, correspondence, and diaries.

Scope and Contents From the Collection:

Manuscript and published scores, concert programs and playbills, clippings, photographs, correspondence, and diaries.

Scope and Contents From the Collection:

Manuscript and published scores, concert programs and playbills, clippings, photographs, correspondence, and diaries.

Scope and Contents From the Collection:

Manuscript and published scores, concert programs and playbills, clippings, photographs, correspondence, and diaries.

Scope and Contents From the Collection:

Manuscript and published scores, concert programs and playbills, clippings, photographs, correspondence, and diaries.

Scope and Contents From the Collection: The Moldenhauer Collection is comprised of music manuscripts, sketches and quotations, correspondence, photographs, newspaper clippings, printed programs, manuscript texts and other materials which document composers and musicians active between 1683 and 1973. The majority of the materials date between 1890 and 1950. With the exception of a few letters written by the collection’s creator, Hans Moldenhauer (1906-1987), the collection is comprised entirely of the musical and non-musical works...

Scope and Contents From the Collection: The Moldenhauer Collection is comprised of music manuscripts, sketches and quotations, correspondence, photographs, newspaper clippings, printed programs, manuscript texts and other materials which document composers and musicians active between 1683 and 1973. The majority of the materials date between 1890 and 1950. With the exception of a few letters written by the collection’s creator, Hans Moldenhauer (1906-1987), the collection is comprised entirely of the musical and non-musical works...

Scope and Contents From the Series:

Music manuscripts in Mario di Bonaventura’s possession. Several manuscripts are works that he commissioned.

Scope and Contents From the Collection: The Moldenhauer Collection is comprised of music manuscripts, sketches and quotations, correspondence, photographs, newspaper clippings, printed programs, manuscript texts and other materials which document composers and musicians active between 1683 and 1973. The majority of the materials date between 1890 and 1950. With the exception of a few letters written by the collection’s creator, Hans Moldenhauer (1906-1987), the collection is comprised entirely of the musical and non-musical works...

Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Scope and Contents From the Collection: Parts of this collection have been digitized and can be viewed here: John Cage Correspondence.The Cage Correspondence collection is comprised of correspondence and ephemera including letters, cards, clippings, catalogs, photographs, negatives, cassette tapes, music scores, and art.  Early materials focus on family correspondence and newspaper clippings and are...

Scope and Contents

Full score, in ink (15 leaves); Sketches, in pencil (12 leaves)

Scope and Contents From the Series:

Published scores from di Bonaventura’s personal library. Most scores are autographed by the composer and bear personal inscriptions, dedications and/ or other annotations but not performance markings.

Scope and Contents

Transparency roll or transparent poster

Scope and Contents From the File:

Texts by John Vorrasi and anonymous English poets.

Scope and Contents From the Sub-Series:

Psalms and acclamations for Sundays in the three-year liturgical cycle (indicated A, B and C) are included as well as for special services including feast days and other occasions in the liturgical calendar and the church's year. These materials are arranged chronologically according to the three-year liturgical cycle (A, B, C) with additional materials filed thereafter. They were originally housed in one file and have been rehoused in six archival boxes.